Theatre of the Oppressed NYC partners with community members at local organizations to form theatre troupes. These troupes devise and perform plays based on their challenges confronting economic inequality, racism, and other social, health and human rights injustices. After each performance, actors and audiences engage in theatrical brainstorming – called Forum Theatre – with the aim of catalyzing creative change on the individual, community, and political levels.
TONYC was founded in 2011 by Katy Rubin, who trained with Augusto Boal in Rio, in 2008. After returning to New York and discovering a lack of effective "popular theatre" – interactive theatre created by communities facing oppression – Rubin helped form the Jan Hus Homeless Theatre Troupe, which is now called Concrete Justice (TONYC’s flagship troupe).
Since 2011, TONYC has grown rapidly in response to a real need from communities in crisis for social change. Our team of Jokers – the people who help facilitate workshops and performances – now collaborate with TONYC’s troupes to create more than 60 public performances a year.
Current and Past Troupe Partners
AIDS Center of Queens County, Ali Forney Center, Center for Court Innovation, Crown Heights Community Mediation Center, The Fortune Society, LaGuardia Performing Arts Center, Red Hook Community Justice Center, Sunset Park Community Troupe
Current Funders and Grantors
Brooklyn Community Foundation; The David Rockefeller Fund, New York City Department of Cultural Affairs; The Thomas and Jeanne Elmezzi Private Foundation; The Ford Foundation Good Neighbor Committee; Humanities New York; Laurie M. Tisch Illumination Fund; Lily Auchincloss Foundation; The M & T Charitable Foundation; The National Endowment for the Arts; National Economic & Social Rights Initiative, Dignity in Schools Campaign; The New York Community Trust; The New York Women's Foundation Fund for Women and Girls of Color; North Star Fund; Jessie Smith Noyes Foundation; The Office of Council Member Corey Johnson; The Office of Council Member Stephen T. Levin; The Office of Council Member Carlos Menchaca; The Office of Council Member James G. Van Bramer; New York State Council on the Arts; Open Society Foundations; The Pinkerton Foundation; The Robert Sterling Clark Foundation; The Seth Sprague Educational and Charitable Foundation; The Emma A. Sheafer Charitable Trust; The Shelley & Donald Rubin Foundation; Stavros Niarchos Foundation; The William T. Grant Foundation
What is Theatre of the Oppressed?
Theatre of the Oppressed NYC (TONYC) bases its work on a methodology created in the 1970s by the legendary Brazilian theatre director and activist Augusto Boal, who was himself inspired by Paulo Freire's Pedagogy of the Oppressed. As a form of activism and artistic practice, Boal’s Theatre of the Oppressed is now used in over 70 countries around the world.
What is Forum Theatre?
In Forum Theatre, the actors present an original play chronicling an unresolved problem resulting from systemic oppression. Once the play is finished, the audience is invited to step into the play and share possible ways to attack this problem and respond to the antagonists, in what’s known as an Intervention. The actors in the play are prepared to respond to the audience member, known now as a Spect-Actor. This process of play performance and interventions is facilitated by a Joker. The goal is to engage in various problem-solving strategies that the community can use to fight back against the oppressions they face.
Theatre of the Oppressed NYC has established "popular theatre troupes" all over New York City in collaboration with a range of local communities, including homeless adults and youth, people living with HIV/AIDS, immigrants, veterans, formerly incarcerated people, and court-involved youth. These troupes devise and tour original, interactive plays inspired by real-life struggles – the problems they face everyday – with the intention of engaging peers in theatrical problem-solving which can help inspire concrete, social action. Each troupe creates one to two shows a year which are performed in theatres, community centers, shelters and drop-in centers; and at conferences and festivals including TONYC's own annual Legislative Theatre events.
What is Legislative Theatre?
As TONYC as an organization has grown, Legislative Theatre has grown with it. Unable to exist in a vacuum, the work is influenced and impacted by the organization’s capacity, by the panelists, the audience, the actors, and current events. Given the present political climate, Legislative Theatre and the arts as an agent for change are vital tools for educating constituents, empowering and engaging individuals, challenging the status quo, and altering policy for the better. Read the full report here.
How does Legislative Theatre Work?
WATCH original plays based on the actors’ lived experiences.
ACT on stage to brainstorm alternatives to the problems presented. Jokers open the stage to Spect-actors to rehearse new ideas. Everyone writes their ideas on notecards that are processed and sorted by the Policy Advisory Team.
VOTE with government representatives. Policy-makers present proposals based on the collected ideas. The crowd debates each idea. All present vote on the proposals. If the majority of people accept the idea as presented, the government representatives make a promise to act on those ideas after leaving the theatre.
One hour before a Legislative Theatre show, audience members meet with community partners and activists to get prepared to engage on the issues being presented.
PAST LEGISLATIVE THEATRE FESTIVALS AND EVENTS
2018: Apartment Complex